New Projects

Erik Jay is in the seemingly unending process of building a project studio in his downstairs office. The set-up is centered around a G4 PowerMac, with the disk recording being handled by Cubase. There is no isolation room at present, so doing 'keeper' vocals or live drums is not practical, but Erik has been able to produce instrumental music of decent professional-level quality.


Listen to Erik Jay's first "homemade" tune, Earthstar.

This particular piece was written the very night that Erik and his ad hoc assemblage of primo players did a 'jazzed-up Christmas concert' as a benefit for a local charity. As Erik tells it, "I came home completely charged and then the entire thing came to me in pre-packaged-and-already-arranged form, so I just 'got it down' as quickly as I could. My inspiration for the piece was my wife, Lydia, and the anticipation of our 17th anniversary (no small miracle), which at the time was not too far off; I named the piece Sweet 17 in honor of that milestone."

Erik began the production process by getting the drum sounds and the drum part(s) right. "Since I had no room for a drummer," Erik adds, "and didn't want to spend money to use another studio, which I would certainly do for the right projects, I went with MIDI plus an excellent assortment of sampled sounds. After writing and recording and mixing the drum part to stereo, with all individual instruments panned and processed just right, I added synth bass and keyboard tracks.

"Then I plugged my guitar straight into my 'digital front end' plus a tube pre-amp and did rhythm parts, the melody line, and finally the brief, understated guitar solo. Adding some compression and other subtle processes to the final mixdown yielded a 16-bit CD-quality sound file of some 45 MB in size; this is the file that gets 'burned' to an audio CD.

"However, the internet needs a smaller file to make transfers feasible; hence, compression schemes. The one we all know (and love – not!) is mp3, which is actually the audio 'layer' of the MPEG3 (Motion Picture Experts Group) video format. Running the high-resolution 45 MB file through another conversion yielded an mp3 file that is 10% of the original size with 70-80% of the original subjective sonic quality.

"The final step was to change the name; Sweet 17 sounds like the name of the upcoming Lolita sequel. I changed it to a favorite word and concept of Lydia's, Earthstar. The composition itself is strong, as my friend, famed drummer Sherman Ferguson, guitar giant Pat Martino's original Philly stick-man, liked it enough to volunteer to record a real drum part to replace the programmed one – forgoing his usual fee, too! As it is now, I think the production rates pretty well, say, a C+ or a B maybe, all things considered. Judging the production qualities as opposed to artistry, the strengths are great guitar sounds in particular, good sounds in general, good panning and instrument placement, and a fairly clean and warm final mix; the weaknesses are a slightly diminished overall level, some editing glitches and clicks, and a few percussion sound levels too high and dry in the mix, and of course, programmed parts where real ones would be much better. As for the result, you be the judge!"

Style Alert: This is pretty, mid-tempo Latin-ish instrumental jazz, so if you don't like that kind of music, check out Vertical or some of the clips from Erik's Heart & Soul & Mind CD instead, okay?